HELVETICA NEUE 75 BOLD FULL
HELVETICA NEUE 75 BOLD PLUS

Very narrow and fluid, its unique design creates a good contrast when used in combination with its upright counterparts.

HELVETICA NEUE 75 BOLD FULL

Although the structure of the letterforms were informed by chancery scripts, the italic has full serifs like the roman. Apolline italic was designed at 8В° degrees. The final drawings were produced at a large size (10 cm high for the capitals) to allow for subtle optimisation of specific details.The very narrow and fluid Apolline italicInfluenced by various concepts for an ideal italic by Van Krimpen, Gill, etc. Besides emphasising the horizontal parts of the letter forms, the serifs were designed asymmetrically to reinforce the rhythm of the writing. They were done at a very small size on tracing paper (2 cm high for the capitals) to preserve the irregularity of human handwriting. Thus Apolline is an exploration of the design methods used by people like Nicolas Jenson and his contemporaries for adapting handwriting with its multiple occurrences (a, a, a, b, b, bвЂ¦) into single, unique signs (a, bвЂ¦).Initially Jean FranГ§ois made drawings modelled after his own calligraphy. Rather than sticking to the method commonly used these days for the creation of revivals of Jenson or Bembo types, it seemed more interesting to try and get in the same mindset as those exceptional designers during this pivotal period in the history of typography.

HELVETICA NEUE 75 BOLD PLUS

Not connected with Ratp and public transports, Parisine Plus was created as an informal version of Parisine.Parisine: Introducing narrow and compressed familiesAbout ParisineParisine helps Parisians catch the right busObservateur du design star of 2007ДЄ Venetian serif in 6 stylesThe Apolline typeface family was created by Jean FranГ§ois Porchez as a means to study the transition from Renaissance writing into the first printing types. Parisine remain the official corporate typeface of the public transport in Paris, the worldwide capital for tourism, and now integral part of the French touch.Directly related, Parisine Office was initially created for RatpвЂ™s internal and external communication, Parisine Office is available at Typofonderie too. Many years of adjustments were necessary to refine this complex family.Initially, Parisine was designed by Jean FranГ§ois Porchez in 1996 for Ratp to solely fulfil the unique needs of signage legibility. The Narrow version will be useful as direct compagnon mixed to standard width version when the space is limited.The various Parisine typeface subfamiliesParisine is organised in various widths and subsets, from the original family Parisine, Parisine Gris featuring lighter versions of the usual weights and italics, Parisine Clair featuring extra light styles, to Parisine Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord. In editorial projects, the Compress version will enhances your headlines, banners, allowing ultra large settings on pages. Born as signage typeface family, the various widths and weights permit a wider range of applications. on the italics, to keep certain expected regularity, important for information design, signages, and any subjects where legibility, sobriety came first. More human, but not fancy: No strange вЂњswashyвЂќ f, or cursive v, w etc. The Parisine was created to accompany travelers in their daily use: ultra-readable, friendly, human while the context is a priori hostile.Meanwhile, Parisine is now a workhorse and economical sanserif font family, highly legible, who can be considered as a more human alternative to the industrial-mechanical Din typeface family. This family of typefaces has become over years one of the symbols of Paris the Johnston for the London Underground or the Helvetica for the New York Subway. Ultra legible forceful sanserif in 32 fontsParisine was born as official parisian mГ©tro signage typeface.

Helvetica neue 75 bold